redrawblak

Nov 07 2009
be there! it’ll be a great show. we’re down an (important) man, so we’re expecting the music to go in all sorts of new directions, for good and/or bad. no cover charge. should be fun!

be there! it’ll be a great show. we’re down an (important) man, so we’re expecting the music to go in all sorts of new directions, for good and/or bad. no cover charge. should be fun!

Nov 03 2009
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Courage is the enabling virtue. You don’t have any other virtues if you don’t have courage. … Christians talk about hope and faith and love, but it takes courage to have faith. It takes courage to love, it takes courage to hope. But you can’t be a coward! You can’t be complacent! You can’t be indifferent! … What that means is [that] courage becomes central, you see, so it’s enabling. The question is…what is it enabling? Is it enabling a love for everybody, a love for just your tribe, a love for just your neighborhood—a love for just your whatever, you see what I mean? Is it just about justice for your group? … But the courage is crucial, it really is. And that’s what I love, again, about the music, because I can’t conceive of a great musician who has not explored the highest levels of courageous engagement with their craft, at the level of form and content, at the level of style and substance. That’s what greatness is, it’s the courage to go to the edge of life’s abyss, to step out on nothing and still think you’re going to land on something.
— Dr. Cornel West, spoken word outro to “Winding Roads”, Terence Blanchard/Choices
Oct 03 2009

currently reading the rest is noise, alex ross (new yorker music critic). mostly about 20th century classical music, mahler/strauss to present. interesting book.

got me thinking about different ways/levels of knowing a particular composer or improviser’s music. i’ve listened to literally hundreds of records and/or tracks and/or shows at this point i would think (thousands?), but that certainly doesn’t mean that i know each and every individual piece of music i’ve heard, or at least not in the sense that i think most people would use that word. some i know only peripherally—say, some louis armstrong record i only listened to one time, or pretty much any of the braxton records i own. some i know fairly well, but i haven’t really internalized or picked apart. half of keith jarrett’s trio records are like that for me…i end up listening to them four or five times (“Standards in Norway”, for instance), and will pull out again from time to time, but generally i keep returning to the same albums repeatedly (“Vol. 1”, “Vol. 2”, “Still Live”, maybe). some are wedged in deep in my childhood/adolescent subconscious and i don’t want to let them out (i’m looking at you, soundgarden, alice in chains, green day). some, though, are my semi-conscious musical dna, the things i listen to over and over and over again, the things that pop up in my playing without my even realizing it (the way miles plays the melody in autumn leaves is the only way to play it [or hear it] to my ear). the records i’ve listened to more times than i can count, the melodies and harmonies and thoughts and approaches and voices that i’ve internalized on a conscious, theoretical, or any other kind of level. so what are these records? i thought of a few. this ain’t supposed to be some kind of ‘best of jazz’ list. this is just the stuff that i’ve found myself drawn to return to throughout all the stages of my life.

john coltrane ‘lush life’

matthew shipp ‘new orbit’

uri caine ‘blue wail’

keith jarrett ‘changes’, ‘changeless’

mark turner ‘in this world’

paul motian ‘on broadway, vol. 4’

stefon harris ‘a cloud of red dust’

wayne shorter ‘speak no evil’

keith jarrett ‘köln concert’, ‘sun bear concerts: osaka’

john coltrane ‘sun ship’, ‘coltrane’, ‘crescent’, ‘a love supreme’

joe lovano ‘trio fascination’

jan garbarek ‘twelve moons’

don byron ‘you are #6’

bobo stenson ‘serenity’

andrew hill ‘time lines’

keith jarrett ‘eyes of the heart’, ‘survivors suite’

mat maneri ‘sustain’

miles davis ‘bitches brew’ ‘in a silent way’

…that’s probably enough. i’d love to hear what other people might come up with.

Sep 24 2009
[Flash 9 is required to listen to audio.]

Brad Walker (ss/cl) and Eric Shuster (perc/insp) in duet, 9/11/09. Part 1D, fourth and final. Drum solo OMFG!?!?!?!?!?!?!?!?!?!?!!?!?!?!?!?

Sep 23 2009
[Flash 9 is required to listen to audio.]

Brad Walker (ss/cl) and Eric Shuster (perc/insp) in duet, 9/11/09. Part 1C. Last part coming tomorrow.

Sep 22 2009
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Brad Walker (ss/cl) and Eric Shuster (perc/insp) in duet, 9/11/09. Part 1B.

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[Flash 9 is required to listen to audio.]

Brad Walker (ss/cl) and Eric Shuster (perc/insp) in duet, 9/11/09. Part 1A. The first of many excerpts I’ll post…

Sep 11 2009
Does this guy Jesus Christ’s life have something to teach me even if I don’t, or can’t, believe he was divine? What am I supposed to make of the claim that someone who was God’s relative, and so could have turned the cross into a planter or something with just a word, still voluntarily let them nail him up there, and died? Even if we suppose he was divine—did he know? Did he know he could have broken the cross with just a word? Did he know in advance that death would just be temporary (because I bet I could climb up there, too, if I knew that an eternity of right-hand bliss lay on the other side of six hours of pain)? But does any of that even matter? Can I still believe in JC or Mohammed or Whoever even if I don’t believe they were actual relatives of God? Except what would that mean: “believe in”?
— Dostoevsky via Joseph Frank via David Foster Wallace
Sep 10 2009
What is “an American”? Do we have something important in common, as Americans, or is it just that we all happen to live inside the same boundaries and so have to obey the same laws? How exactly is America different from other countries? Is there really something unique about it? What does that uniqueness entail? We talk a lot about special rights and freedoms, but are there also special responsibilities that come with being an American? If so, responsibilities to whom?
— Dostoevsky via Joseph Frank via David Foster Wallace
Sep 09 2009
Is it possible really to love other people? If I’m lonely and in pain, everyone outside me is potential relief—I need them. But can you really love what you need so badly? Isn’t a big part of love caring more about what the other person needs? How am I supposed to subordinate my own overwhelming need to somebody else’s needs that I can’t even feel directly? And yet if I can’t do this, I’m damned to loneliness, which I definitely don’t want…so I’m back to trying to overcome my selfishness for self-interested reasons. Is there any way out of this bind?
— Dostoevsky via Joseph Frank via David Foster Wallace
Sep 08 2009
But if I decide there’s a different, less selfish, less lonely point to my life, won’t the reason for this decision be my desire to be less lonely, meaning to suffer less overall pain? Can the decision to be less selfish ever be anything other than a selfish decision?
— Dostoevsky via Joseph Frank via David Foster Wallace
Sep 07 2009
What exactly does “faith” mean? As in “religious faith,” “faith in God,” etc. Isn’t it basically crazy to believe in something that there’s no proof of? Is there really any difference between what we call faith and some primitive tribe’s sacrificing virgins to volcanoes because they believe it’ll produce good weather? How can somebody have faith before he’s presented with sufficient reason to have faith? Or is somehow needing to have faith a sufficient reason for having faith? But then what kind of need are we talking about?
— Dostoevsky via Joseph Frank via David Foster Wallace
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Is the real point of my life simply to undergo as little pain and as much pleasure as possible? My behavior sure seems to indicate that this is what I believe, at least a lot of the time. But isn’t this kind of a selfish way to live? Forget selfish—isn’t it awful lonely?
— Dostoevsky via Joseph Frank via David Foster Wallace
Sep 06 2009

our trees are prettier than your trees

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